故事力學 The Mechanics of the Story

• 名稱｜故事力學
• 媒材｜數位微噴
• 尺寸｜50*40 cm
• 年代｜2019
• 簡介｜我以「撞擊」中的角色、元素出發，進行一次「隨意的拼貼旅行」。猶如你煮菜時所剩的料，把它又做成另一道菜一樣，我將「撞擊」從（線性的）影片切換成（共時性的）靜態紙面，展開不同時間感的閱讀方式。讓這些原本在影片分屬不同段落的角色，比如老太太、比如鐵達尼的戀人與影中的場景，如浴室、魚缸與車禍現場拼貼地融接並置，產生不同於影片的寓意。

• Title｜The Mechanics of the Story
• Material｜giclée
• Dimensions｜50*40 cm
• Date｜2019
• Caption｜I started with the characters and elements in “Theoretically, An Impact" and went on a “random collage trip". Just as you make another dish out of the leftover ingredients, I switch “Theoretically, An Impact" from a (linear) video to a (co-temporal) static paper surface, creating a different sense of time for reading. The characters originally belonging to different sections of the video, such as the old lady, Titanic’s lover and the scenes in the film, such as the bathroom, the fish tank and the accident scene, are collaged and juxtaposed to produce a different moral than the video.

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力學故事 The Story of Mechanics

• 名稱｜力學故事
• 媒材｜數位微噴
• 尺寸｜50*40 cm
• 年代｜2019
• 簡介｜改編自「撞擊」。在這件平面作品中我選擇以場景作為出發，上方左側為從車內看出去的視角，一位面無表情的警察站在那裡執行勤務; 上方右側，是那隻後來在槍戰之中倖存的鸚鵡; 作品的下方，也是佔掉最多篇幅的部分，警察與兩個逃亡者面對面，在鳥不生蛋的地方生無可戀地遭遇彼此。在這張作品中，我完全用滑鼠畫出那些百無聊賴的軟爛線條，並無使用較硬的幾何之元素。當線條由手開始，接著再透過滑鼠畫出，最後自然而然地在數位介面中呈現出拙稚感。我並非一個善於描繪得好畫家，技藝並非精良，所以我很少回頭修改。我總是順著滑鼠的痕跡，在心裡告訴自己「就這樣畫下去吧！」。

• Title｜The Story of Mechanics
• Material｜giclée
• Dimensions｜50*40 cm
• Date｜2019
• Caption｜Adapted from “Theoretically, An Impact". In this graphic work I chose to start with a scene, the top left is the view from inside the car, where an expressionless policeman stands on duty; the top right is the parrot that survived the gun battle; the bottom part of the work, which also takes up most of the space, shows the policeman and the two fugitives face to face, encountering each other in a boring land. In this piece, I used my mouse to draw the soft, crumbly lines without the use of harder geometric elements. When the lines are drawn by hand and then by mouse, they naturally appear in the digital interface with a sense of awkwardness. I’m not a good painter, I’m not very good at drawing, so I rarely go back and revise. I always follow the traces of my mouse and tell myself, “Just Keep Drawing! “.

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